Music director

Vincenzo Bellini

224 years · Catania, Sicily, Italy · 35 films

Vincenzo Salvatore Bellini was born on November 2, 1801 in Catania, Sicily, Italy. He was the first of seven children in a musical family. His grandfather gave him first piano lessons at the age of 3, and at the age of 5 young Bellini could play good piano to an audience. His first composition dates from around that age. He was granted a scholarship from the municipal government of Catania to study music at the Conservatory of Naples. Bellini studied under composer Niccolo Zingarelli and a vocal teacher Girolamo Crescenti. His fellow student soprano Isabella Colbrani eventually became his wife. Bellini's graduation opera "Adelson e Salvini" generated a commission from the Royal court. Impresario Domenico Barbaja secured a commission for Bellini's opera for La Scala in Milan. "Il Pirata" started Bellini's fruitful partnership with the librettist Felice Romani, who complemented Bellini's flowing serpentine vocal lines with meticulously chosen words. Their tandem created 7 Bel canto operas in about six years. In Paris Bellini received a commission from the Theatre Italien for "Il Puritani", which he composed on the libretto by Count Carlo Pepoli. It became a triumph over his competitor Gaetano Donizetti. Bellini was recognized by the leading cultural figures of his time; Franz Liszt, Mikhail Glinka, Frédéric Chopin, George Sand, Alfred de Musset, Victor Hugo and Alexandre Dumas père, among others. Heinrich Heine was fond of Bellini's works; But he predicted that Bellini will die, like Wolfgang Amadeus Mozart and Raphael, at the hight of his genius. Bellini died of peritonitis on September 23, 1835, in Paris, France, and was laid to rest in the cemetery of Pere Lachaise in Paris. In 1876 his remains were moved to the cathedral of his native town of Catania, Italy. Bellini's opera "Norma" became a hallmark of the Bel canto style. It was premiered on December 26, 1831 at the La Scala, Milan, and initially had a cool reception on its first night. The title role is still considered the most difficult role in all of the soprano repertoire. Its performances by Maria Callas are among the finest. The extremely popular cavatina "Casta diva" was used in soundtracks for many films, such as A Midsummer Night's Dream (1999), The Game of their Lives, The Bridges of Madison County (1995), Atlantic City (1980), and Lorenzo's Oil (1992) among other films. - IMDb Mini Biography By: Steve Shelokhonov